“Angela has written books, composed music, performed, and has remained wildly creative—from the work she does with the Orchestre Surreal, to her straight-ahead jazz gigs. She is a huge addition to the cultural landscape of L.A., making the city richer. She has never wavered from her resolve to be creative, and I love that she is constantly innovating and renewing her agreement with the universe to make sacred art.”
BILLY CHILDS, MULTI-GRAMMY-WINNING COMPOSER
Angela Carole Brown is an artist working in a variety of media: Writing. Music & performance. Art & design. The many sides of Angela seem to be surfacing simultaneously these days, just trying their damnedest to ignite some kind of personal Renaissance. And should she continue to be as blessed as she's been, she'll have a great many more opportunities to share all of her various ventures with you.
An award-winning indie author and poet, Angela’s most recent triple-launch, released in December of 2019, are the poetry collections BONES and VISCERA, and the 100-word story collection ALEATORY ON THE RADIO.
Angela has made her primary living as a musician and recording artist for the better part of three decades, so it’s only fitting that her first literary release, TRADING FOURS, recent winner of the North Street Book Prize in Literary Fiction, would be a tale of music, as it sets itself on a single day in the life of four musicians.
TRADING FOURS has been called "a Zen and the Art of Motorcycle Maintenance for musicians." It has been featured on KPFK's Arts in Review, and KUCI's Blacklisted; given honorable mention in Music Connection Magazine; and featured in an Ejazznews.com article entitled Jazz Encounters of the Literary Kind, by UK columnist John Stevenson, who wrote: "Trading Fours is in few respects, a triumphant meeting ground of art and sociology.”
Featured on the podcast American Vernacular, Angela's sophomore effort, THE ASSASSINATION OF GABRIEL CHAMPION, is a post-modernist tale of the rarely depicted Los Angeles art scene that explores themes of violence and redemption. Setting its stage in the diverse boroughs of pre-millennial L.A. and climaxing in the feverish streets of Paris, this sophomore work is a kaleidoscope of violent mood and memory, a meditation on art and artists, and an atmospheric, sometimes brutal, parable on the complex nature of love.
With a wink to dime-store pulp fiction and film noir, Angela's playful novelette THE NIGHT, THE CITY, AND MISS THING follows the adventures of Elvis Schoenberg's Orchestre Surreal (a real-live Los Angeles orchestra that Angela has fronted as lead singer, under the moniker The Fabulous Miss Thing, for over two decades). The Orchestre Surreal is a deranged-seductive-Felliniesque-German-Expressionist-John-Waters-circus-of-a-wild-ride, and THE NIGHT, THE CITY, AND MISS THING is no less a wayward midnight odyssey of playful mood, mystery, and shadow.
Angela is also a memoirist, whose first published effort in this genre is THE KIDNEY JOURNALS: MEMOIRS OF A DESPERATE LIFESAVER, which recounts her extraordinary odyssey through depression into donating a kidney.
Shorter works or excerpts have appeared in Brilliant Corners: A Journal of Jazz & Literature, World of Poetry, Kidney.Org, the Highlight Network, and in the forthcoming anthologies "Jazz Fiction: Take Two" by David Rife and "The Museum of Words" from Echoes Media Press. Angela is a recipient of the SoulWord Magazine Poetry Award for her single poem "Cotton Candy."
She writes the blog BINDI GIRL CHRONICLES.
In addition to being a writer, Angela is a veteran of the L.A. music scene after having worked for nearly three decades as a vocalist and recording artist. She has recorded voice-overs, movie cues, jingles, and CDs for herself and other artists, including: Josh Groban's hit single "You Raise Me Up" on his Closer CD for Warner Bros. Records, and demo tests for Matt Stone and Trey Parker's The Book of Mormon. She has worked theater, clubs, concert halls, television, and radio, in the U.S., Europe, and Asia, including her critically lauded, self-penned Off-Broadway one-woman show The Purple Sleep Café, at Primary Stages' 45th Street Theater in New York City, and as one of the lead vocalists of the award-winning, genre-bending, and exquisitely radical 30-piece ELVIS SCHOENBERG'S ORCHESTRE SURREAL, as "The Fabulous Miss Thing," which won L.A. Music Award’s “2004 Best Rock Opera of the Year” for their show Symphony of the Absurd.
Angela began her career as an actress, after graduating from the American Academy of Dramatic Arts, and landing work with various Los Angeles theater companies, performing the repertoires of Shakespeare, Williams, Brecht, Shaw, and Puccini, to name a few, the experience of which has had significant bearing on her ability to interpret a lyric with genuine intimacy, and connect to a song the way an actor connects to a character she is hired to play. Jason McCloskey, in the BACK STAGE WEST (formerly the DRAMA-LOGUE), has said of her: "As Angela Carole Brown begins to sing, she underscores the fact that while most singers simply sing songs, great singers employ their voices as instruments and their songs as vehicles to create tone poems of undeniable emotional impact."
She eventually migrated from acting to singing by joining various bar bands, doing the cabaret and hotel circuit, and establishing what would turn out to be years-long alliances with wonderful musicians, and with recording work; and in 1984 won the grand prize in the first-ever (to become annual) Stardom Pursuit singing contest sponsored by the now long-gone but forever legendary Rose Tattoo Cabaret in West Hollywood.
In 1989, she signed a record contract with Tokyo's Teichiku Records, and released her debut CD, Angela, produced by David Garfield, which rose to #2 on Japan’s pop charts, leading her to be featured on Tokyo's NHK variety television show Music Dream Collection.
In 1990, she began her artist's residency at the Four Seasons Beverly Hills, with entertainment director Dana Bronson, which would turn out to extend for the next two decades, shape her as a vocalist, and result in lasting friendships, revered professional alliances, and the jazz recording Standard Procedure with the Fours Seasons Trio. She never did "the road," instead establishing a solid base and reputation as an L.A. vocalist of stylistic diversity, integrity and professionalism.
Not only a writer of books but of songs as well, the early 2000's saw Angela launch two original music projects, whose mission was to feature her songwriting and to create live performance experiences. The Global Folk, a guitar-led trio, showcased Angela's alt-folk songs, and The Slow Club Quartet, a piano-led trio, showcased her jazz compositions. These two groups performed all over Los Angeles, including the Playboy Jazz Festival, and resulted in the recordings Resting on the Rock, The Slow Club, Music for the Weeping Woman, and Expressionism, all on her own Rue de la Harpe Records. She has also had several of her songs placed on the internet series Venice.
Today Angela remains The Fabulous Miss Thing with the Orchestre Surreal, continues to record and perform live, and is one of the featured women interviewed in the recent documentary THE GODDESS PROJECT, from filmmakers Sara Landas and Holli Rae.
As a visual artist, Angela has spent time in the playground of painting, glass mosaic, handcrafted dolls, video and digital art, and graphic design (with over 50 clients, specializing in music and book covers). Her current medium is Alcohol Ink on Yupo, where she sold out her available pieces at their first public outing, and has been regularly commissioned since she began this medium a little over a year ago.
Angela's latest creative venture is the just-released children's videobook, THE RICHEST GIRL IN THE WORLD, where she has taken on the mantle of author, illustrator, narrator, and video editor.
“Angela Carole Brown exudes the kind of preternatural class that is uncommon in L.A.”
LOS ANGELES TIMES
“Angela Carole Brown wiped me out for voice, beauty, and class.”
“Brown’s phrasing is impeccable.”
RIVETING RIFFS MAGAZINE, TORONTO
“As Angela Carole Brown begins to sing, she underscores the fact that while most singers
simply sing songs, great singers employ their voices as instruments and their songs as vehicles to create
tone poems of undeniable emotional impact.”
BACKSTAGE WEST, HOLLYWOOD
“Thanks to RESTING ON THE ROCK and THE SLOW CLUB, the rest of the world gets a chance
to acquaint itself with her, and it’s well worth the trouble to look up these recordings.
As far as the material is concerned, here is a well-balanced collection of Angela's esteemed original songs.”
HIFI & MUZIK MAGAZINE, SWEDEN
“I know of no meatier voice than the one that lives inside Angela Carole Brown.”
“She fills a room with both delicate detail and full-bodied assault.”
TR BLACK, KUCI, IRVINE
“In her one-woman show, THE PURPLE SLEEP CAFÉ, Angela Carole Brown gives us some extraordinary lessons
in what it’s like growing up as an artist, that if you've grown up as a person who must rely upon, perhaps live within,
the confines of the imagination, you grow up in a very particular kind of way, scary sometimes.
There is a moment in the play where Angela addresses the Muse, and it’s a gorgeous moment of theatre.”
CLAYTON RILEY, WLIB, NEW YORK
“Her mannered diction and narrative skills are heard to great effect on ‘Van Gogh’s Ear’,
a post-modern tale about artistic license and fate. In fact, the manner in which all her lyrics are written
is unusual and captivating, referencing anything from Shakespeare to Dylan Thomas.”
“Angela Carole Brown is an amazing writer with a gift for dialogue, and
TRADING FOURS engages the reader on a deep, visceral level.”
MATT ST. AMAND, AUTHOR OF “RANDHAM ACTS”
“THE ASSASSINATION OF GABRIEL CHAMPION is just a beautiful book,
full of surprises, gorgeous writing. The author is a musician and there is a lyrical quality throughout.
The story itself is as original as they get. Just read the first page...it gets even better.”
ARTURO HERNANDEZ, AUTHOR OF “PEACE IN THE STREETS”
“’The Assassination of Gabriel Champion’ is magic, madness, and raw emotion. How wonderful
when a writer has the ability to be so raw, so truthful, so intuitive about the human condition.”
Introducing Angela Carole Brown